He will be bringing his patented West Coast offense to the Silver and Black. Gruden will be doing the play calling in 2018.

So let’s take a few minutes to see what the incoming offensive coaches could do to help Carr grow in year five. With all of his offensive hires, that looks to be the case. He would put together a great group to not only improve the overall team, but to get the most out of Carr. Obviously, Gruden wasn’t going to mail it in when assembling his 2018 Raiders staff. He is a huge reason that incoming head coach Jon Gruden left the ESPN Monday Night Football booth. Carr may have struggled in 2017, but was an NFL MVP candidate before he broke his leg on Christmas Eve 2016. The Oakland Raiders would have been an appealing job for many head coaching candidates largely because of the franchise quarterback in place in Derek Carr. Here is how he can grow under the new offensive staff. (Photo by Stephen Dunn/Getty Images) / Jon Gruden’s offensive hires should help him get the most out of starting quarterback Derek Carr. 4 of the Oakland Raiders throws a pass during the first half of the game against the Los Angeles Chargers at StubHub Center on Decemin Carson, California. Wish more synths had that.CARSON, CA – DECEMBER 31: Derek Carr No. Maybe that is just me, also bear in mind that I used the same midi keyboard for the last 10 years, so quite a different feel.Īlso I have to mention that the keyboard split thing works really well. I want more of my own presets.Īnother small issue is the way the velocity curve behaves, It's like it's a little too hmm aggressive beyond a certain point, I mean it's like there is small travel that works well and then it just slams down. One thing I dont understand is why the the factory presets cant be deleted, that's a bummer, I don't like it.

People complaining that the vintage knob doesn't work so well, my opinion on that is quite the opposite. I think it has a kind of mellow sound to it, this is something that I really like. Overall, I can recommend this synth, the build quality is great, the sound is outstanding - this is the reason I went with the T5 over the Rev.2. It's my first synth with resonance level compensation and it works quite well. Just received a Take 5 today and I am really surprised how good it sounds. The 18 kHz rolloff in the Take 5 will only affect teenagers. Frequencies above 24 kHz are being generated, but the anti-aliasing filters in the A/D will perfectly filter those out before they are sampled, so no aliasing will occur. It's just like recording your Eurorack at 48 kHz. Over on GS, some people were expressing worry about the sampling rate of the Take 5 resulting in aliasing. Odds are good that the maximum cutoff of the SSI 2140 filters in the Take 5 goes considerably above the maximum frequency of the A/D convertor. It seems much like the Take 5 can get brighter than my Prophet-6, where the filter cutoff maxes out at 21 kHz. I can get the Take 5 with low resonance to sound identical to my Prophet-10 with low resonance. More importantly, this doesn't affect the PERCEIVED high frequencies, at least as far as I can tell. Mind you, I'm becoming an old, so I can't hear much above 15 kHz. The Take 5 doesn't have a direct analog path - everything is converted to digital, with a rolloff starting at 18 kHz. I imagine he/she´s talking about the A/D at the fxīut on the Starsky Carr videos he shows a very noticeable rolloff under 20 KHz and a darker sound than the P5/P6 without the fx engaged

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